The Revenge of the Real: Politics for a Post-Pandemic World
Benjamin Bratton
I really like the Verso Book Club, which is where I got this
from. They send out books every month and it forces me to read more than I
normally would and outside of my normal interests.
This book was an interesting short little thing, arguing in
my reading for a large conception of the social – against the atomized person
and thinking of us all as part of a system. I think it works but my main
critique is that it exits in a weird middle ground. Part of me wanted to see it
expanded. Then there’s another part that wanted it tightened up. For example,
there’s a whole chapter against Giorgio Agamben. When I was reading it, I was
like “Why is there a whole chapter about this guy I’ve never heard about?”. And
it seems like the whole issue was on me, since reading this book I have seen at
least a dozen references to Agamben. Again, thanks to the Verso Book club for
expanding my theoretical horizons.
East of Eden
John Steinbeck
I’ve been on a bit of a Steinbeck kick since the pandemic
started. I reread Grapes of Wrath at the beginning because I was worried about
the economy crashing. In that reading I found a much better book than what I remembered
from being forced to read it as a high school student.
Grapes of Wrath may be his most famous book, if because it
is the bigger book of his that gets pushed by those high school students. I
think that is an oversight, as East of Eden is the better book, I think. I
guess that it doesn’t get taught because a good part of it centers on a house of
ill repute.
But also – it does take a while to get going. Steinbeck here
is writing a broad and epic sweep and must build the setting and the characters
and then put them together. He does it so well though. There are places where he
creates a character with such depth and complexity, and he does it in just a
paragraph or two. It’s something that you can see and point out how well he
does it but impossible to really saw just why it works. It’s just genius at
work.
He also, in these pages, creates one of the most hate-able
female characters ever put to the page. He just captures this psychopathy so
well you must wonder who in Steinbeck’s biography he modeled from to create this
character. Who hurt you, John?
So, this book just builds, grows, and has an incredible
momentum right up until the end, an end that just gob smacks you. In my opinion
it is one of the top dozen or so novels I have read. It’s amazing and you
should read it.
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