This book is pretty uneven, but I suppose that comes from
two authors mailing floppy disks back and forth to each other.
The world that they build is pretty interesting, and it seems
that that was the basis of more of the conversations between Gibson and
Sterling (I have to confess, I’ve only read like three previous Gibson books,
and none of Sterling’s full-length books. I think that though they are still
working writers, there’s a very 80s sense of their being, maybe like the Bright
Lights Big City guy or the American Psycho guy (Yes, I know their names.)).
There are several characters in this world where some tech
is advanced and the US is divided between several nations – more like Europe
now than the US is now. And there’s some stuff happening about luddites
fighting back and breaking down the computerized government set in motion by
Charles Babbage and Ada Lovelace (and many of the Eminent Victorians make an appearance).
I don’t know who invented steampunk, but this one has the
fun hallmarks of the genre – tech, Victorian London, fun anachronisms…. Is this
the start? Here’s the real thing though. You need interesting characters doing
interesting things to make a 500-page book readable. For me, there was a lot of
stuttering, and the real interesting part of the narrative spanned pages 200-400
approximately. The narrative starts to break down at the end, and I was really
close to abandoning the book in the last section, but I figured that there has
been ok stuff going on until that point so maybe there is going to be some pay
off. There was no payoff.
It turns out the authors were trying to convey that the book
was unraveling because it was being written by the computer in the book. It wasn’t
obvious to me. I regret the time I spent finishing it up, hoping in vain that
there would be something worthwhile. There was nothing. It could have been
edited to its core and been a quality instrument. As is, there is too much
chaff.
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